Author: Sian Townson

  • Tendon training, age and maturity. How do your horse’s tendons become stronger? How can you give the best start to your foal?

    From the main blog: https://equinemechanics.com/

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    My last post covered a little about tendon structure, hysteresis and crimp and what all this means for the equine digital flexor tendons (link here). This time I’m going a little deeper into how tendons work, tendon creep, and how to make tendons (and ligaments) stronger. The main tissues I’m going to talk about are the superficial digital flexor tendon (SDFT), deep digital flexor tendon (DDFT), and the suspensory ligament or third interosseous muscle (SL), which despite its confused names is usually classed as a tendon. These form the suspensory apparatus, and I’ve talked a bit about what they do in the last post, but I’ve put a picture above so that we’re all on the same page (from one of my previous papers Lawson et al., 2007). The picture also has the main bones of the distal limb marked – the third metacarpal (MC3), proximal sesamoid bone (PSB), distal sesamoid bone (DSB), P1, P2 and P3.

    Tendons are made up of a lot of different proteins, but the two main ones are collagen which resists loads and elastin which allows stretching. In tendons the collagen fibres are mostly parallel. This makes them effective in resisting forces from one predictable direction, and in turn being exposed to unidirectional forces encourages fibres to align and be more parallel, and we have a happy cycle. The collagen fibres in ligaments are less organised, as they can be pulled from more than one direction (see picture below of my lovely collateral ligament model). This makes ligaments weaker if we’re comparing stretching in one direction. In tendons and ligaments, collagen fibres are crimped when not under load, so they have an increased ability to lengthen and resist force without failing when they’re aligned in the right direction, more about that in the earlier post.

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    The amount a tissue can stretch compared to its original length is measured using strain (the ratio of new length to original length). The other thing we’re fond of measuring is stress, which is the load it’s exposed to as a proportion of its size (force per area). The amount a tissue will deform for any given load (stress divided by strain) is called the modulus of elasticity. This varies between tendons, and is one of the properties that will determine ultimate strength. The stress vs strain graph pictured shows the effect of modulus of elasticity on point of failure (ultimate tensile strength). The more a tendon can lengthen, the more load it can take before it fails.

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    So as tendons are not equally strong in all directions (anisotropic), the chance of them failing partly depends on the direction of the force and partly on the tendon’s (modulus of) elasticity. The final important factor is how quickly a force is applied (viscoelastic properties).

    Creep is the effect that allows tendons to progressively lengthen under the same force which has the effect of releasing tension. It’s the reason you can get further if you hold a stretch and keep stretching. Does it matter? Well, it means that tendons are great with constant pull, lousy with sudden impact. This is the reason that I talk a lot about the initial impact spike of hoof hits ground, and its effect on the digital flexor tendons, despite the fact that peak tendon strain occurs in mid-stance (for SDFT and SL) or end-stance (DDFT). Sudden changes in length such as a tendon struck (and stretched) by a hoof or an unexpected footfall from uneven ground – whether that’s rabbit holes or inconsistent arena surfaces, this is what causes a lot of injuries. I have a deep resentment of inconsistent/patchy all-weather surfaces.

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    To try and understand how to develop stronger tendons, a lot of research has compared foals raised in stables and given different formal exercise regimes with those kept in fields. Pasture-kept foals, that live out 24/7, consistently grow stronger tendons not just in the short term but actually develop tendons with more collagen fibres – i.e. with a higher potential strength that they can achieve through training. Whilst increasing exercise in stable-kept foals does lead to stronger tendons, in all studies 24/7 pasture exercise induces more strengthening changes than controlled exercise combined with stabling. Foals that are shifted from box-kept to being field-kept will to some extent catch up, but are unlikely to ever reach the same extent of collagen structure and tenocyte metabolism as foals that have always been in the field. It’s worth mentioning that in research tests horses that live in but have access to 2-4 hours of field time a day are considered to be stable-confined. You just can’t get the same amount of stimulation in 3 hours as you can in 24. Similarly pasture-kept horses are rarely in “natural” conditions, as pasture-size and herd-size tends to be limited, which reduces the amount of movement horses experience. You get the picture.

    Research looking at the effect of training on tendons of horses of different ages supports this. Contrary to popular belief early training whilst immature can reduce the risk of injury in the older horse, as younger tendon has a strong ability to adapt to exercise and older (mature) tendon less so. The equine digital extensor tendons do grow (hypertrophy) with sprint exercise, but not so much the flexor tendons. The SDFT and SL, with their role in elastic energy storage, do not appear to gain in collagen content or diameter with exercise once fully mature, and these tendons are mature by the time the horse reaches about two years old.

    After maturity tendons get weaker with age, and so become more likely to fail at a lower strain rate. When the horse is 5 years old the SDFT has already started to degenerate, with changes in crimp angle and collagen levels causing a reduced total strength. From here on in exercise accelerates this age-related degeneration.

    Some studies have shown exercise-induced increases in SDFT diameter in 2yo thoroughbreds (but not warmbloods), but not an improvement in crimp angles or biomechanical properties – in other words tendons got bigger but not stronger. Tendons can grow due to pathological changes, so in research studies an attempt is usually made to rule these out by biopsy or ultrasound (as it was in this case). Tendon can also increase in volume just due to gains in water content, which is an exercise-induced response, but not one that helps. In immature warmbloods, all tendons and ligaments adapt, improve and strengthen in response to exercise, all apart from the SDFT. In all horses the SDFT just behaves a little differently.

    In elastic-energy storing tendons such as the SDFT, increased size increases stiffness so an increase in size actually reduces function. In these tendons being able to lengthen elastically rather than snap is more important, and so too much stiffness is dangerous. The improvement in the common digital extensor tendon with exercise is more helpful in improving the performance of the SDFT as these two tendons work together to help the SDFT hit the right stiffness for elastic-energy storage from hoof strike to push off. As I covered in the last post, the introduction of scar tissue in the tendon from overuse or previous injury is another potential source of increased stiffness.

    Compared to hugely-responsive tissues like bone, tendon adapts slowly to exercise, and possibly not at all once mature. It may be that research in this area just isn’t precise enough at the moment to detect changes and predict optimal training regimes. In the great hierarchy of research funding, grants are keenly fought over and some excellent projects will always go unfunded. Understanding equine tendons is not the crocodile nearest the boat for many funding bodies, and not all human research can be directly translated as equine tendons are so unique. Research continues; slowly.

    Images from my own research and graphs as before from Robi et al. 2013.

  • Tendon biomechanics, equine digital flexor tendons, and crimp. How does all that work then?

    From the main blog: Equinemechanics.com:

    distal limb
    digital flexor tendons

    When I first studied anatomy I was told that tendons had a very specific job – they attach muscle to bone, and so transmit the force of the muscle pulling to the bone, often creating movement at a joint. Ligaments, I was told, attach bone to bone and create stability at joints, holding it all together. However in horses there are some special cases where the tendons start at a bone, travel a long way and then have accessory ligaments anchoring them back to another bone; only part of the tendon is actually attached to any muscle at all. Anatomists can get very excited about which structures are tendons and which are ligaments, but we can agree that sometimes tendons have other jobs, and the muscle is just there to help adjust their tension.

    Long tendons are part of what make a horse so interesting to study, and one of the ways in which the horse is specialised for locomotion. Horses don’t walk on flat feet like humans, they walk on their toenails. The muscles that control their legs are placed right at the top of the limbs, leaving the lower or distal parts to be lightweight, fast, and full of shock-absorbing joints and long tendons to store and release elastic energy. The digital flexor tendons of a horse are familiar to most horse owners because they include the most common sites of injury, as they take the brunt of impact and are predominantly stretched by the movement of the joints rather than tension in the muscles. These tendons are not there to transmit muscle pull and cause movement, they’re there to absorb motion, stretch like a rubber band as the hoof hits the ground and then ping back to length as the heel comes off, pulling the leg along with them.

    [youtube https://www.youtube.com/watch?v=Fq-hnY3QJo8?feature=oembed&enablejsapi=1&origin=https://safe.txmblr.com&wmode=opaque]

    In humans most tendons are short, strong and transmit force by acting like a rope. In horses’ legs these tendons are longer and more elastic. The digital flexor tendons and suspensory ligament run down the back of the horses’ legs. A sesamoid bone at the fetlock acts as a pivot and allows the tendon to transmit tension smoothly around the joint. As the hoof hits the ground, usually with enough force to break the cannon bone, the joints of the leg flex, and only the hoof feels the full brunt of the impact. The hoof travels fast and when it hits the ground it stops suddenly. Ideally the surface allows some slipping, but if the horse is wearing studs then the hoof stops very suddenly indeed. This deceleration causes an impact force. Flexing of the joint above the hoof (distal interphalangeal joint) allows the pastern bones (medial & proximal phalanx) to decelerate more slowly and flexing at the fetlock allows the cannon bone (metacarpal bone) to decelerate more slowly still, so these bones experience less impact. As the joints flex they stretch the digital flexor tendons, storing elastic energy. As soon as the heel leaves the ground the superficial digital flexor tendon can start to spring back to its shorter length, releasing this elastic energy, and helping the leg bounce along in very efficient way. Similarly the deep digital flexor tendon will recoil at toe off and return to its former length.

    Except sometimes they don’t. Tendons need to be springy and elastic, but not stretch so far that they fail. One of the ways they do this is by not being straight: their collagen fibrils form a tight wave pattern – they are literally crimped. Tendon crimp means that whilst the tendon is never slack its initial bit of stretching just involves straightening out – the toe region of a length force graph. The more pronounced the crimping, the more force and stretch a tendon can take before it fails. Similarly as the horse warms up its tendons “become more able to” straighten out ready for work and are capable of sustaining larger forces and longer stretches without failure. Generally tendons are expected to work within this toe or linear region. Even within the elastic region that the tendon is capable of working in, not all the elastic energy is returned and some of it is lost as heat (hysteresis, shaded in pic). Heat build up in tendons is another major cause of damage and the reason that many old fashioned brushing boots have become unpopular.

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    Lesions and microtrauma in the tendon show up as imperfections in the crimp pattern, making it irregular, disturbed or with less crimp angle. These range from micro-lesions to full on blown tendons leaving big lumps of scar tissue, and as you’d imagine they all affect the tendons ability to stretch. Micro-lesions are built up by pushing the tendon to the point where individual fibres start to fail, and if not allowed to recover eventually these may cause complete failure of the tissue. The majority of catastrophic failures though require some external influence to push the length beyond the limits – such as an over-reaching hoof kicking into the tendon whilst it is already stretched.

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    With use tendons become stronger, more elastic, with their fibres better aligned. Basically they can withstand more before they fail. However with overuse or just plain ageing damage makes tendons weaker. The trick then, is to give a tendon plenty of training within its current elastic capabilities. Training actually affects different tendons in different ways, and responses to age-related degeneration and exercise are actually very different between for example the common digital extensor tendon and the superficial digital flexor tendon in the same leg of the same horse. Similarly there is a certain limit in how strong and elastic any given tendon will develop, based on getting the magic optimum amount of exercise in the foal. These posts sit on my desk unfinished for a long time if I try to include too much in them, so let’s stop there and cover those topics next.

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    Images courtesy of Jean-Marie Denoix, Ecole National Veterinaire d’Alfort, and from Robi et al., in Hamlin et al., 2013, with thanks.

  • A scientist’s perspective on scientific evidence.

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    When I started as a scientist publication was all, it still is. I now understand though that if I write a paper, it will be published. Maybe not in my first choice of journal, but however good or bad it is, there is somewhere that will publish it. Now journals accept papers on the same day or the day after submission: (bit.ly/1KWaV2c). Do we really think they’re getting peer reviewed? When I want to know more about a condition, I don’t just Google something I look at the academic literature, try and find out what the evidence suggests, but is that also just someone’s opinion now?

    When I was a young, naive PhD student I was slightly shocked that journals asked me to suggest my own reviewers. Not that naive, I just named the people I was currently flirting with, but still it did seem to lack a little subjectivity. Fast-forward a decade or two and the profit-based world of publication has exploded.  Editors need to get papers in and out again through the pipeline. Authors need to get those manuscripts off their desks and on their CVs and grant reports. Quantity over quality every time. I have now written papers which are essentially just my opinion, waffling away, and they’re published not in journals on discourse but scientific journals that lend my thoughts and air of peer-reviewed authority. These are no longer my thoughts, these are now evidence-based facts.

    So, if you’re reading up on a clinical condition, what should you look for?

    1. Randomized Controlled Trials (RCT)

    Just having collected some data and analysed some statistics doesn’t make it good evidence. If I flip a coin and it lands on heads four times in a row, is that a rare and noteworthy event? No, it’s a sign of randomness. If I flipped a coin and it neatly alternated between heads and tails, now that would be noteworthy. I once co-wrote a paper with an amazing statistician, demonstrating how the statistics in one of my previous papers were a misleading mistake. No one would publish it. Randomized controlled trials are the best we can do for looking for actual significance.

    2. Cochrane reviews.

    These are a special type of review of the existing papers. They collect together eligible studies into a meta-study, telling you what the balance of the evidence says. These try to include only peer-reviewed papers that have a rigorous method and so collect together a much larger, combined subject group. They use some fairly robust statistics, and are a hell of a lot more accurate than just trying to read and counter-balance all the papers yourself, by eye.

    3. A bit of time for peer review

    Most published manuscripts have date of submission and date of acceptance stamped on them. I used to think of this as a badge of shame: if it takes me a year to get my paper out everyone knows that. Oh, how the world changes. Look for something that’s obviously been through a  discussion process, preferably a long one, not just same day/next day acceptance. Publication bias means it’s actually much harder and slower to publish a paper with a negative result – “we looked but actually it wasn’t there”, “this doesn’t work” – or a paper that goes against the mainstream. Doesn’t make it a bad paper, on the contrary, unexpectedly negative findings can often be the important ones.

    4. Big name journals.

    There’s a lot to be said about impact factors and how to judge a good journal which doesn’t really belong here. Fact remains, how often a  journal is cited and how often a paper is cited says a lot about how seriously academics are taking any paper. Of course it doesn’t tell you whether people are agreeing or disagreeing with it, but any academic mention is still more reassuring than a paper that is politely ignored by the scientific community. Those lesser-known ones, in the journals with the ridiculous names, those are the ones that you need to politely ignore too. Scientists don’t actually ignore papers just because they disagree – it doesn’t take a second to write “Contrary to the findings of Blogg and Blogg (2015), we showed…” Having someone to disprove makes your paper more publishable – you’re now showing something that actually needed to be shown.

    5. Conference papers

    Any collection of papers that has a nice holiday attached a.k.a. conference papers, is going to get our slightly less completed thoughts. Conference papers are often published in mainstream journals and look like full papers on your CV, but depending on your field it’s fairly hard to get a conference paper rejected. They only need preliminary findings as these should be the cutting edge of your ongoing research, your chance to tell the field what you’re currently working on and get the feedback and awkward questions that’ll make the next round of tests and the final full paper a far more reliable affair. I for one am on the committee of a lot of the conferences I want to go to, and at the Keynote career stage. This means that I often get asked to submit a paper for a talk that I’ve already been asked to give. You can peer-review that all you like, it’s already been accepted.


    These days scientific publication falls under the more general category of things we read on the internet  – where even if it’s an intelligent person’s best guess at the time it’s not necessarily true. That’s OK, it never was – scientists don’t believe in facts, they believe in best current theory and convergence towards a solution. Just remember that scientific papers are not the protected species that they used to be, and should be read with the scepticism and critical thinking that allows the good ones to shine.

  • Isn’t it just a horse? Ode to a Hobo

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    Before and whilst I had Rossvean (above) I must have had 20 or 30 other horses. I was only a kid but I rode for competition yards, I rode for private owners, I rode for myself. Rossvean was my first real rescue horse, others were more scopey and more straightforward but he had a brave heart and I trusted him completely. Ross’ was the mane I cried into when my parents left. Eventually I sold him and my heart broke. I found the next horse, and the next. I asked my trainer (Karen Gibson) for help as something about these horses just did not work any more. She looked at me very sternly and explained that “there’s never going to be another Rossvean”.

    I have an excellent memory, I don’t forget words, sometimes I wish I could. The feeling of being metaphorically punched never left me either. I sold up and I quit. For over a decade I quit. Eventually I started to ride again, very occasionally and only for other people. Don’t you miss it? they’d ask. Every day, I’d say. Then one day I fell in love with a horse. Hobo was exactly what I look for, a horse worth coming out of retirement for. Big floaty uphill paces and a jump that defined perfect. I used his photo in lectures on conformation. I studied his jump for research papers. Like Ross he was a little psychotic but when he trusted you he would overcome his own nature. Horses that can take on a 1.50m track are hard enough to find, here was a proper 1.60m horse and I loved his every quirk.

    Hobo got his name by being chucked off yard after yard for being dangerous, and he was, he had a tendency to panic with no self-preservation, and an exceptional talent for putting people in hospital, but this was never a horse who was nasty, just very afraid. 1.60m horses are not just bred, they are made. Everything must go well in training and then you still have to be lucky. Hobo was big, nervous and slow to mature. To go with his talent he needed big track rideability: my mantra became “for him I have time”. Eventually the offers started coming in and under pressure to sell I bought Sox the stallion to ease the transition. Still I could not bear to part with him and now I had two (albeit one who was intended for stud). Sox is a great horse, turns his hoof to anything, never lame, affiliated dressage and jumping, safe to hack and easy to handle. Next week I’ll go and collect a championship trophy from his only ever shot at showing. But Sox is not Hobo, Sox is a riding club horse and I never wanted to be a riding club rider. I’ve ridden him with a broken wrist, with one side limp, post-caesarian, and, I now know, with a wolf tooth fragment stuck in his jaw. He’s a grumpy old git, but I trust him with my kids and he’ll never hurt them. He doesn’t owe me anything but the world will manage without his genes and he is now gelded.

    More pressure to sell came and went. I turned down big money offers for both horses, met a “them or me” ultimatum from the husband and he became an ex-husband. For years the divorce went on and the horses stood stabled, in divorce limbo, going round a horse-walker and losing health. By the time it was over Hobo never made it fully back into work. This year I retired him, which is an odd expression for a horse that hasn’t really started his career, but I can’t keep bringing him into work and watching him go lame, I have to let him go.

    Hobo is not dead. Every morning I lead him out of his stable he comes out in a big uphill march of a walk. I spent years on ground work with this horse, he leads beautifully, but most of all he moves beautifully. He has presence: he comes out of the stable roughed off and covered in mud and fur and I still think here is a horse. Here is what all horses should look like. I lead him up to the field and every time I watch his hooves – do they land heel first? Are they even? I fantasize that months of leading him up and down our stony path will harden his legs and he will come back, and I will feel that amazing jump, and the fences will be enormous and I will take photos to replace those lost to divorce, photos and memories which I can keep forever. Then we reach the field and I send him off and he hobbles, and I remember that I am an idiot, and I have to let him go.

    As a child at this time of year I read an issue of Horse and Hound where the equine stars of the day listed what they’d want for their dream Christmas, and adverts ran alongside. I don’t remember what most people wanted. I think Mary King wanted an equine swimming pool and a new set of jumps. When they came to Eddie Macken he only had one sentence: “I just want Boomerang back”. Suddenly I saw capitalism and advertorials through the eyes of this man who didn’t know what we’re talking about. His heart is broken and seemingly his career with it, and we understood, because we all wanted Boomerang back.

    I am very lucky and I know that. Pining over a (still-living) horse smacks of white, middle-class privilege, and hell yeah, I’m rich and thin. My Christmas list is ridiculously hopeful and contains saddles and bridles because I have four wonderful horses: Sox, Hobo, Denim (Hobo’s companion pony) and now the lovely Remus, a four year old. People are always asking how Remus is going, excited that for the first time in nearly a decade I’ve bought another horse. He’s going great I say, and he is. Better than I ever imagined, I say, because it’s true. Remus is exceptional, I hope one day he’ll be international. Maybe he’s even a 1.50m track horse and they’re hard to find. Certainly enough scope for me, don’t get the wrong idea – I’m no olympic rider. What I can’t politely say is he’s not Hobo, he’s not even in Hobo’s league. He’s lovely, I’m fond of him, I’m impressed with him, but like people horses don’t replace each other. So Dear Santa, come on, this year, even if only for one day, I just want my Hobo back.

    HoboTwitterc

  • Checking for Lameness with your Mobile Phone

    I’ve put a post on the main blog which talks you through checking your own horse at home, using your mobile as a gait analysis tool. I may repost it here but for now have a link: https://equinemechanics.com/post/98984225743/checking-for-lameness-with-your-iphone

  • Five Steps to Straightness

    Five Steps to Straightness

    Caught collapsing
    Different horse, same left hip too far in advance.

    Do you collapse on one side? Perhaps your shoulders look unlevel and try as you can you can’t seem to correct it. Maybe one heel doesn’t stay down, or your horse is just stiff and resistant on one side and you haven’t gotten around to blaming yourself yet. As you can see in these pics I sit asymmetrically like the barber who never gets his own hair cut so I thought it’s about time I corrected my own biomechanics. You’re welcome to watch & comment and hopefully we’ll all learn something.

    Here are two pictures from a couple of weeks ago showing the side of shame at its worst. My left hip is too far advanced and as a result my leg is crunched up, little man has too much bend in the neck and his left shoulder has drifted out. Note also the crinkled numnah as I’m twisting it with my crooked riding of shame!

    Tension, resistance and fall out of left shoulder.

    So: Step 1) Hips. I look like I have slightly asymmetrical shoulders. Technically I do but what’s more important and normally entirely overlooked is that I have very asymmetric hips. What you’re seeing in my shoulders is a result of that pelvis rotation, not a cause in itself. Similarly it looks like I’m sitting to the right, but this is just because I’m rotated to the right. If I pull my left hip back so that my pelvis is actually straight my horse stops resisting on the left. I can tell when I forget, because luckily my main horse is an unforgiving git – or if you prefer an excellent teaching horse who is sensitive to my aids. If I sort out my pelvis, my shoulders should look after themselves. Same goes for you, rubbish left leg.

    Step 2) Sleeping position. Have you ever noticed that people that crunch forward when they ride also sleep in the foetal position? I like to sleep on my right side, with my right leg straight, left leg bent up. It’s lovely, we snuggle. It’s allowing me to practice my folding up on the left bad habit to the extent that it feels natural & safe to sit that way. So I’m now going to stop reinforcing this asymmetry every minute of the day. I’ll try to sleep in a better position – stretching my left side; try not to sit on the sofa with my legs tucked up to the left; try not to carry my bag on my right shoulder… Basically if something feels natural I’m going to reverse it!

    Step 3) Halt. Not the horse, little horse recently has stopping as a forte – I need to practise my own halt. This morning I looked at my shoulders in the mirror, and noticed that when I’m on the ground they are indeed unlevel. Then I looked down and saw that my hands are uneven – I can see more of my left hand – so I tried to roll my left shoulder back. Then it twigged and I looked even further down. I’ve only got two legs and still I had not pulled off the square halt. My left foot was way in front. If I shut my eyes and stop left foot first it looks fine. Right foot first and I don’t naturally halt square. I’m not mentioning any names, but one of us is going to practise until I do.

    Step 4) Horse is going to go straight. Little boy and I had a good deal going – he likes to go crooked – I like to be crooked in a matching way! Great! He likes to put my weight on his right, where we both reinforce each other’s bad habits and just hope we never need to go left. So now that there’s a new regime in town we are going to go straight. Even when on a circle or going sideways we are going to be straight. My hip will be back, my weight will be down his left side as well, and I’ll know when it is as our lateral right will be as easy and round as our lateral work left, and when we land from a fence, we’ll go straight between two ground poles. For our piece de resistance when we turn left towards a jump or in counter canter in a test, he is not going to get gobby and complain. And I will pat him; with my right hand.

    Step 5) Biomechanics. I often video and check what’s going on. I video my riding & I video trot ups. Sometimes I’ll calculate joint angles, but this isn’t biomechanics. Joint angles and videos are kinematics and they’re useful – particularly if you have a robust way of calculating accurate and repeatable angles and aren’t just “joining the dots”. Biomechanics is the combination of these kinematics with kinetics – the study of the forces. By including the forces we can work out where the rotation originates – what is a primary problem and what is a secondary compensation, which muscle is too short, which one is too weak. Clinically and in training it’s important to consider the biomechanics, not just the kinematics. In my case that’s correct the pelvis, not the shoulder or leg position. If I just force my leg into the right place without correcting the pelvis I’ll make things worse. I need to correct the muscle imbalance & tightness that causes the pelvic rotation in the first place. That’s why I’m also working at it on the ground. So: I’m not going to force my left heel down, I’m going to drop my weight. I’m not going to correct my shoulders I’m going to straighten my spine. I’ll get my thumbs on top by correcting my elbows. I’ll go to the gym and stretch and correct until I’m neutral. I’m relying on you guys to keep me on the straight and narrow!

    Comments?

  • Recruiting for Biomechanics Trial

    Recruiting for Biomechanics Trial

    Please note this blog has now moved to EquineMechanics.co.uk and updates will not always show up here

    David Marlin and I are recruiting for a trial to look at the effects of Science Supplements ProKalm on dressage horses’ way of going. I’ve used it on my horses and think it improves the quality of the trot (quick and dirty test showed a 20% increase in stride length & 50% improvement in tempo consistency in my anxious, green gelding and a 10% increase in stride length in laid-back stallion). So we’re now doing a full trial so I’m looking for people in the BD Northern region who’d be interested in being involved. The horses will all get free ProKalm, a full biomechanical analysis and be assessed by a List 1 judge on three occasions once with and twice without the calmer. We’d be looking for people who can show collected, working and medium trot, although extended would be a bonus.

    On a side note, I’m biased but the calmer is ace. It’s BD and BS legal, not magnesium based, doesn’t knock any of the sparkle out of them but just helps focus – I had a loose horse canter into my ring during my test at Richmond last Monday and stallion stood like a rock until it was caught! Similarly talented but homicidal gelding hasn’t tried to kill me for ages…

    Anyone who’d like to know more (or just order the calmer!) should contact sian@equinemechanics.com.

  • Hand in glove: can wearing gloves make you a better rider?

    Hand in glove: can wearing gloves make you a better rider?

    I like gloves because I like my hands, and I particularly like my hands with the skin on – not ripped off by some leadrope or lunge rein. Also I hate the cold and I live in the U.K. so I have expensive gloves and I use them. However this evening I started to think about their effect on my riding, when little stallion had a few rather unkind things to say about my hands and then I realised I had forgotten to put them on.

    Why do gloves improve your riding?

    (Good) gloves increase the friction between your hand and the reins. That means that you can keep a more relaxed hand and still have the reins secure. In turn this relaxed hand means a more relaxed forearm, as like horses we keep the muscles further up the limb, away from the digits. If your forearm is relaxed you have softer more responsive hands and your stallion stops whinging (or whining and complaining in American). Everyone’s a winner. My gelding also tells tales on me, but apparently I wore gloves to ride him.

    I have ambitions, Sox merely likes grass and doesn’t see why he has to put up with fools.

  • Engaging the hindquarters and lengthening the stride

    Engaging the hindquarters and lengthening the stride

    Photo from BritishDressage.co.uk
    BD Convention supported by The National Saddle Centre

    The recent BD convention featured the training talents of the Academy Bartels. It was covered by an informative write-up in the most recent British Dressage magazine. There was some very refreshing talk of responsiveness and relaxation – a horse that waits for, not predicts, the commands and once asked to go forward continues in these longer strides until given an aid to change without continual nagging from the legs. Similarly a half pass ends in a new set of commands not in the removal of the aid. The removal of any aid has already occurred as soon as the horse complied. This strict philosophy gives a strong foundation, and shows how the Bartels achieve such relaxed, engaged horses.

    The classic changes of stride length and tempo exercises are used to reinforce this. However I found these two types of exercises a little confused in the report. The report appears to refer to longer strides being faster strides, and this being part of the tempo exercise. The accepted wisdom in dressage, entirely supported by the scientific literature, is that in order to maintain the same tempo, longer strides should in fact feel a little slower. Tempo exercises changing the rhythm are very useful in creating engagement and responsiveness, as are exercises changing the stride length, but these are not normally seen as the same thing. As early as ’94 we knew academically that in high-level horses stride duration is maintained (canter) or extended (trot) with increases in stride length (Clayton, 1994a; Clayton, 1994b). Biomechanically speaking speed is the product of stride length and stride frequency, so it is entirely possible for speed to increase, as a result of longer strides, whilst the horse’s stride frequency (tempo) slows. However the article refers to faster strides rather than faster speeds. Was the journalist making an error here, or do the Bartels really change the stride frequency as well as the stride length when in training? Anyone?

    Interesting the research also shows that in order to achieve increased stride length, the footfall rhythm in canter is altered by increasing the time spent in suspension and hence the distance covered between leading front leg and the next hind leg placement. The timing of the hoof-falls within the hind leg-diagonal pair-front leg part of the pattern is proportionally quicker, with longer spent in suspension. Perhaps this is why lengthened strides, which have the same duration and in fact feel slower to ride, are often described as faster.

    In trot, stride length is increased by increasing over-reach distance, and stride duration increases (tempo slows) with increasing stride length. In other words medium and extended trots do have a higher speed, but a slower stride frequency. So in fact in both gaits higher engagement of the hindquarters is needed for lengthened strides, and this would be undermined if the strides were faster rather than longer.

    I wish I had attended the convention and will try to make the next one. The report was a great read, and I particularly liked the following points, which fit well with my last post on the equine back:

    On straightness: “The hind legs must step into the same tracks as the forelegs, whether on the straight line or a curve. Tineke used the helpful image of the horse having to be like a train that stays on the railway lines…..The aim frequently spoken was to ride into the two reins.”

    On roundness: “..they put great emphasis on getting the muscles from the tail, under the hindquarters, under the saddle, into the area in front of the wither and up the neck, soft and malleable. Being round and soft on a connection helped soften these muscles and remove blockages. Any blocks of tension in the upper line would mean there is no connection from the hindquarters to the bit….. Until the horse took the rein down there was no work on the movements.”

  • Be your own Biomechanist: What to look for in your photos

    Be your own Biomechanist: What to look for in your photos

    If you can afford regular lessons with a good instructor you’re laughing. If not eyes on the ground or at least a video can be a real help. Even if all you have is the odd photo you can still plan and make progress.

    So, without further ado, here is why Carl Hester is better than me, from a biomechanics perspective.

    Here’s that photo from the previous post, of Carl and Uthopia in competition (right) and me slobbing about on the left:

    Carl’s horse is obvious happier, it’s more uphill, it’s more engaged and swinging through. All this is easy to see when you have a comparative photo opposite. But let’s assume you don’t. Here’s a few basic biomechanics things you can look at in any picture, with or without a gold standard.

    1) Would it make a statue?
    Even though Uthopia (right) is on one leg, you could imagine it as an ambitious statue. If my photo was made into a statue, little horse would fall on his nose. In biomechanics terms, what you’re looking at is whether the horse and rider’s centre of gravity is over the base of support. Imagining the statue helps you do this, without the maths, and in my case makes it obvious that he’s not that well-balanced. I find thinking about this helps when I’m riding too.

    2) Check your verticals (pictures below)
    Carl’s horse’s nose is slightly in front of the vertical, as is correct for a dressage test. He is sitting slightly behind the vertical (the line of his back is more or less parallel with his horse’s nose). My horse is behind the vertical and I need to straighten up and get my shoulders back too.

    3) Check your horizontals – is the horse uphill?
    Badly timed or angled photos can easily hide how uphill a horse actually is, so if you compare your horse’s back to the fence line look at the whole horse -. If we look at the top of my horse’s back it doesn’t looks so bad, but if we look at the whole horse and check for lowered (engaged) quarters and raised shoulders the illusion is shattered. Compare the little guy to Carl’s horse.

    Moving on….

    4) Is the horse tracking up and symmetrical?
    For the horse to use its back effectively (see previous posts) the hind legs should be stepping well underneath it. Check whether the hind hoof is landing in the print of the fore hoof. In walk your horse should over-track – the hind hoof should land well in front of where the front hoof left the ground. My horse, on the left, is trotting so we can also check for symmetry – are the diagonal pairs synchronised? It’s pretty common to start to spot problems in extended or very collected work. My horse is looking nicely symmetrical and similarly Uthopia is clearly in the midst of a clear three beat canter, with the diagonal pair well matched.

    5) Is the horse happy and relaxed?
    Yes, this is a biomechanics thing! Muscle tension is the enemy of athletic performance and my little stallion is not just giving his grumpiest just-been-told-off face and tail twitch but you can see the muscle tension in his neck, shoulders and back. Carl’s horse, Uthopia, on the other hand.. oh, you get the idea…..

    6) Is the rider secure? Dancing with the horse or fighting against it?
    Ok, first let’s all concede that my photo is taken from a very unflattering angle! Ok. So if you look at Carl’s seat and leg, ignoring the lower leg, you can see his security comes from the seat and length of thigh. Even if his leg ended where his boot started, you can see he’s staying on. Look how ineffective my seat and thigh look in comparison. Admittedly my legs are shorter than Carl’s but I’m not using what I’ve got. My security is coming from the lower leg, a show jumping habit, whereas it should be coming from higher up.

    People are intuitively good at maths. You use it every time you catch a ball – having successfully predicted it’s path and timing, allowing for gravity, momentum, and air drag. Horse riders tend to be doubly so. Carry on using it.